A Celtic Knot Infinity Flip Card

Recently I finished a crazy and fabulous project inspired by Jill McDowall, after reading her Infinity Flip Card blog post and seeing some of these fun square “flexagons” on her Instagram feed.

Have you seen these cards before?  Also known as Never Ending Cards, Celtic Infinity Card Snake Hearts flipped (c) 2018 Sadelle Wiltshire Celtic Cross Spiral Centerhey’re basically made from two square cards or sturdy paper, scored, folded and cut in half, then glued together in a certain format.  You then have a way to flip and fold the piece into four different sides, and when drawn, painted or embellished, you have 4 different images to flip and view, BUT if you turn the cards over and flip, you get 4 more views that have been cut in half and flipped again.

Since I was in the mood for drawing more Celtic knots, that’s where my mind went immediately.   I love a good challenge, and the possibility of 4 drawn panels that could become 8 different views drew me in.   I can also see great possibilities with this form using other drawing styles too,  like Zentangle, mandalas and nature drawing as well as painting.

I started out with two different knotwork spreads on the card, and when presented with a 3rd flip where the card almost looks like a cross, I knew that I needed to make the last two into Celtic Crosses.

Where’s the ZEN?
I immediately wondered if and how I might make any knotwork designs be more cohesive by somehow joining them when flipped in reverse.  This took a bit of coordination.   The full knotwork panels were a little easier to join together once reversed.  The two crosses however, took quite a bit of re-penciling and erasing and re-penciling to see how the reverse views might be coordinated without messing up the original view.  This involved using a ruler and compass to get the placement more centered and even then, since my folds were slightly off, I had to fudge some of the edges in places.   This was not exactly the MEDITATIVE part of drawing for me, but once I had my pencil lines coordinated, the rest was gravy and the calm focus flowed and flowed!  

The inking of the knotwork in pen, followed by the coloring, shading and painting were added play time.  Here’s a brief list of the media I used to make this come to life:

Below you can see the final view walk-through video of the card:

I started working on this card sometime in December, and finished it the first week of January.  It represents MANY blissed out hours of work, (Ok maybe I became a bit obsessive in my tweaking efforts.) 🙂  And yes, I’ve started another one!

The wonderful Triquetra Knot
You might recognize a few 3 pointed Triquetra knots in the images above…  they were really helpful for unifying parts of the flipped images!  

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Posted in Book Arts, Celtic Knotwork, Video | Tagged , , , , | Leave a comment

Playing with Glitter, an “Ooh, Shiny!” Review & Giveaway

Student Illuminated letter with Chromatek Glitter pens

Student Illuminated letter with glitter pens

Are you drawn to shiny sparkly objects like I am?
I love metallic accents in artwork, sometimes a bit TOO much.  I can wax poetic about my gold pens and watercolor paints, which I might do in another post.  And I especially love these for adding a touch of shine to Celtic Knotwork pieces and Illuminated Letters.   

Today I want to share with you the new (ooh, SHINY!) sparkly and glitterly pens that came across my desk.  The lovely creator of the new CHROMATEK Glitter 30 gel pens contacted me to try out her product.  They come in a package of 30 pens with many shades of colors and a complete set of refills, which was an unexpected plus.

I decided to give them a run as I was creating final artwork for one of my Celtic Design workshops  and created a large Carolingian Cross using nothing but these pens, with many colors.  It’s not usually my style to be THIS glittery, but wow, I really loved the shine, and I’m not sure the photos here do them justice.  

Carolingian Cross Knot with glitter pens

Chromatek glitter pens

Palette test and all the colors
There are alot of colors in this palette that are quite close to each other, and since there appears to be no color labeling on the pens or refills, you may want to make a palette record for yourself.   Here was my start on that project:

Student Celtic Illuminated Letters with glitter
I still have loads of things to try with these pens, but they are nice to hold, put out ink in a fine glitterly layout and the colors are just scrumptious.

And as much as I loved playing with them, so did the participants in a recent Celtic Illuminated Letters workshop I taught a few weeks ago.  These pens were clearly the winning art supply in the room, seeing that pretty much everyone kept coming back to my table to try them!

And speaking of winning………..

border lineI’m GIVING AWAY a set!
We have a WINNER!

The drawing was held Thursday, January 25, 2018 and the winner is:  

Jane McK

Congratulations, Jane, and I’ll be contacting you to mail out the pens!

Chromatek Glitter pens and mandala

Sneak peek at a Celtic inspired mandala in the works

Sadelle Wiltshire

Posted in Celtic Knotwork, Giveaway, Stuff I Love | 17 Comments - Click to leave Comment Here

Letting Go of Expectations: a talk, demo, giveaway and labyrinth video…

The Purple Ink Cafe PresentsThis is a HUGE topic for so many of us, and not one I’ll go into depth with here YET, but I wanted to invite my readers this Wednesday, Nov 1, at 7pm to join me in a chat and exercise in letting go of some of these demons that get in the way of our creativity, our mental and physical well-being and even relationships.

I’ll be joining Mary and Kathy, the fabulous hostesses of the Purple Ink Cafe, and we WILL do some art, so bring a fine line pen, a pencil and paper as well as a GIVEAWAY to one of my online meditative art classes (including a brand NEW one one yet to be announced)!
REGISTER NOW to receive the webinar location room on the Zoom platform.

On Letting Go of Expectations:

Handmade Journals, Sadelle WiltshireOn the topic of letting go of expectations, I also wanted to share with you a full flip-through video of my labyrinth journal for you to enjoy.  It’s very special to me and has seen me through some turbulent times, and been a meditative tool for me to us to work on personal as well as spiritual transformation.

Letting go is very much an active part of walking the labyrinth.    As I was creating the book and pages, I brought an intention that released in both the art journaling as well as my personal writing and used to quiet my mind into a more open and aware state.  When I walk the labyrinth with my pen, fingers or my feet, it’s another way that I practice the letting go of stress, concerns and the letting in of Spirit.

I’ll also be offering a free “Letting go into the Holidays” series of helpful tips with some intentional art to VIP TangleVermont Email Newsletter Community….

SIGN UP NOW and I’ll be sending out info about it soon!  Enjoy the video!

Note:  Sorry if the video isn’t as clear as it could be…  You can see many of these images close up at thetangledlabyrinth.com

P.S.  As to the actual art journaling, drawing and more about using labyrinths, I’ve been thinking of turning parts of this into a tutorial style e-book or an actual series of online classes…   what would YOU like to see?
Contact me with your thoughts and requests HERE.

Sadelle Wiltshire

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A Botannical Tangle “Coton”

Simple inspiration for a new tangle

Simple inspiration for a new tangle

About a month or so ago in a wonderfully quiet and productive mood, I started playing with an ornamental feature frequently seen in illuminated manuscripts.  I often show this little leaf doodle in some of my Celtic and  Illuminated Lettering classes and one day I tried a few extra strokes here and there, with thicker vines, and voila!  A new tangle was born.

It reminded me of a cotton boll, and somehow French was in my mind that day, so the name ‘Coton’ stuck.

I’ve already posted a quick video of me creating a monotangle  using Coton on the TangleVermont Facebook page HERE (be sure to like and follow us there for more of these to come!).

Coton - Journal sample

But I’m already over a week late in posting the tangle step-outs I’d promised – so here are the instructions below.  There are MANY more ways one could play with and interpret this tangle, so I’d LOVE to see what you come up with!

Post your links in the comments, or TAG me on Instagram using the hashtags #tanglevermont or #cotontangle

Coton, the Step Out:

  • Coton starts with an S curve on the left, and a reverse S curve on the right.  
  • To that I add a stroke curving back and down towards the middle, yet keeping an open space at the middle.  
  • Then I add a C curve and reverse C curve shape in the center to form the third leaf in this Trefoil shape.  
  • Then you create auras between the leaves, with the top open, a kind of a “V” shape.   Finally I close off the top with a series of linked downward facing arcs.  

This tangle can be done attached to a vine, or not.  Sometimes I like to just create the boll-like bits and have them falling off into space, with a trail of dots.   I’ve got a few more examples below the stepouts!


Post your links in the comments, or TAG me on Instagram using the hashtags #tanglevermont or #cotontangle ! Tangle 'Coton', by Sadelle Wiltshire CZT#7 TangleVermont.com

A bit of Coton dropping from a knotwork tree, ©2017, Sadelle Wiltshire

A bit of Coton dropping from a knotwork tree

Coton, finished Monotangle from the TangleVermont Facebook Video ©2017 Sadelle Wiltshire

finished Monotangle from the TangleVermont Facebook Video

Let’s Connect!  I’d LOVE to see your work!

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Simply post your links in the comments, or TAG and follow me on Instagram using the hashtags #tanglevermont or #cotontangle !

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Posted in Art Journal, Tangles, Tutorial, Video, Videos, Zentangle Inspired Art (ZIA), Zentangle® | Tagged , , , , , | Leave a comment

Interview for the Daily Musings Journal

Daily Musings Journal spread-June-25-30

Daily Musings Journal spread-June-25-30

I’ll keep this post quick so you can go right to the heart of it!  If you’ve been following me on Instagram or Facebook lately, then you likely have seen a number of my posts using this wonderfully convenient journal to record some of my miniature Celtic knotwork and experiments and samples.

I’ve used the journal for my self challenge of #100daysofknotwork and I’ve also used it for samples for the Black and White Journal e-course.  It’s been a wonderful book to take on vacation and give my others a short break, and also to do a daily contemplative art practice in a short bit of time with all the squares laid out in a week’s journal spread.  And of course the small squares are perfect for Zentangle inspired journaling too!

2018 Daily Musings JournalLate last month I was interviewed by Lisa DeYoung, the author/designer of the wonderful Daily Musings Journal and Mountain Mermaid website and August doodle adventure .

See the video interview below and get a short flip through my work.   And be sure to check out the journal yourself and reserve your 2018 copy soon, as I believe they are limited print runs.

And stay tuned for another new tangle and video!

Sadelle Wiltshire

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Tangle Hunts & a New Tangle: ‘Foxtrail’ (and company)

If you’ve been tangling for a while or even just recently gotten hooked on Zentangle,  then likely you are seeing patterns everywhere.   Patterns in architecture, in nature, in shop windows, in the clouds, in water, on clothing and textiles.  If you look at descriptions of tangle patterns folks have come up with, you may start to notice what inspired them.  I often save photos I come across with a distinct pattern, for possibly finding a way to break it down into easy strokes and steps, and voila… a new tangle!

Gravestone in cemeteryThe Hunt:
About a year ago I taught a Garden Zentangle class where I had the workshop participants gather in the morning behind Immanuel Episcopal Church in Bellows Falls, VT to look at and quick sketch patterns in plants and trees and even… the gravestones in the cemetery.    In the afternoon we looked at our found pictures and talked and played with turning these into repeatable patterns.

Forest flora closeupThe Adventure Continues:
There’s a sense of adventure when seeking and collecting these patterns and then asking “how could this become a tangle”?    And then a real sense of adventure when you let yourself play with a design and turn it into SOMETHING DIFFERENT.  Maybe one, two or three patterns from one image… maybe more!  It’s scary to risk changing something you have in front of you and risk ‘messing it up’, but if you’ve ever taken a tangle and let yourself play with it for hours, letting it morph,  without thinking too hard, then you may have just found yourself in that space of focus and FLOW.   It’s magic, and then you look down, and often find you’ve CREATED magic!

Now I could wax poetic and spiritual about this experience of flow, of drawing and being ‘in the moment’ and fully in the present, but I’ll save that for another post. 🙂

graveyard stone tangleThe Tangle/s:
So today I want to finally share a tangle that I only recently created and started to play with.   It has some qualities like the Zentangle tangle “Snail“, but as you’ll see, it’s very different.  And it has siblings, too, in the illustrated tangleations.  I may have to name those as well.  One of them really IS very snail like, but the initial pattern I arrived at looked like a row of cute little foxes.   So “Foxtrail” it was named.

As you might have noticed, the original source (not fox-like at all) came from the gravestone pictured above.

Have a look and a play, and let me see what you create from the tangle/s below.   Tag me on Instagram or Twitter @sadiavt with the hashtag #TangleVermont  or post a link in the comments below, or on the TangleVermont Facebook page.    

Or Online:
If you’re further away, no worries!  Sign up for the newsletter and you’ll be kept up to date on online classes to come. 

Sadelle Wiltshire

P.S.  Help me name variations 1-3!  Or maybe you’ll find a spin-off.  🙂


Posted in Art Workshops, Tangles, Workshops, Zentangle® | 4 Comments - Click to leave Comment Here

Tangle ‘X-BO’ & Black and White Journaling

My dear creative friends,

Hope your summer is going swimmingly!

It’s been a busy month here!  I’m recently back from another wonderful weeklong Zentangle workshop at FGC Gathering in Niagara Falls, NY.   I’ve been prepping and designing some fun new art offerings, including a few new tangle patterns (a new one for you today!) and a new coloring page coming soon.  Also, I’m very excited to be guest teaching a LIVE class online tomorrow  (more on that below)!

X-BO Tangle(ation) Sadelle WiltshireHere’s a Celtic-style border TANGLE I sketched out a few months ago as a schematic for a local class I was teaching, inspired by simple knotwork.  I decided to break down the steps further into a simple knotted border design tangle.  I’m calling it “X-bo”  short for X border.  It’ll soon be obvious why. 😉

This series of step-outs came about when I was demonstrating to a couple of my classes how to draw a simple border made from X’s  and straight lines, and ways to keep the overs/unders in order.   At first glance, it’s a bit reminiscent of Margaret Bremner’s “Chebucto” tangle, but it’s constructed very differently and allows for growing into borders.  You can also play with curving the X’s and see what happens then.

However you use it,  choose to make one side of the X your TOP starter piece,  i.e., righties vs lefties… and turn the work as you go around the border.

X-BO-lo-res Tangle-ation


Enjoy!  and if you’d like to see one of the things I’ve been up to, check out The Black and White Art Journal online course.  I’m one of 8 teachers in this fun, minimal take on art journaling.  Kiala Givehand, the hostess, always teaches fun book-making lessons plus there will be a huge variety of tutorials on journaling in black and white, with some of the lessons initially broadcast live and then recorded.

I bring out my pens, paper and pencils in the session that I taught along with a few tricks with tangles, knots and pen weavings in your journal.

Register HERE to join us. No worries about missing any of the Live sessions, as they’ve all been recorded and the videos have been posted in the course.

sneak peekIncluded in the course:

  • Black and white art journaling lessons and videos from 8 teachers of diverse backgrounds.
  • Learn 2 handmade book structures to make, mood mandalas, lots of prompts, doodles, tangling, stamping, supply tips, and more that I haven’t seen yet.
  • A minimalistic approach to art journaling that requires less supplies (read, easier to take on vacation).
  • A year’s access to the course online.
  • Access to a private Facebook Group for the course.
    And knowing Kiala, I’m sure there will be extra tidbits.

My lesson covers an easy and fun drawing technique that incorporates woven bands and shading into your journal page with a couple of fun Celtic-style ornamental tangles and doodles to use as borders.  I’ve also shared tips on the supplies I use and a touch of shading.  The images below give an idea of the kinds of things you can create.

Hope you can join me and the other teachers for this fun online class playing with black, white and shades between (with handmade journals to boot)!.

Make time for some art peace and quiet in your day…

Sadelle Wiltshire

Posted in Art Journal, Art Workshops, Book Arts, Celtic Knotwork, Mandalas, News, Tangles, Video, Workshops, Zentangle® | Tagged , , , , , , , , , , | Leave a comment

An Ode to Good Art Supplies: 10 Reasons to LOVE Mechanical Pencils

The dreaded blunt pencil - where IS that sharpener??

The dreaded blunt pencil – where IS that sharpener??

Greetings friends!  I’m back with the first of a few summer posts.  Since I’ve been teaching Celtic Knotwork now as well as Zentangle,  I’ve discovered how USEFUL mechanical pencils have become to me. I’d like to share how and why these are such awesome tools to have in your art supplies kit!

I sometimes REALLY struggle with my pencils.  I break them constantly, and I never seem to have a decent pencil sharpener within reach and I lose them all the time.   Does this happen to you too?

When I first started drawing with the Zentangle method 7 years ago (my gosh, has it been that long??),  I had to work hard to lighten up over time when creating the very light “strings” and frame that help define the areas to draw in.  I never seemed to have either the right pencil, or a sharp enough pencil.  I’ve noticed our students often have a hard time with this too.

In my own Celtic artwork, for the longest time I would lay out my initial lines, bands and interlacings with just a plain pencil, but I always had a hard time keeping my pencil sharp enough for precise work.   So when I was planning my live courses this winter I went off shopping looking for a better pencil option for my students.  Mechanical pencils to the rescue!

my mechanical pencil at workSo here’s my list of how and why I came to adore using mechanical pencils in my artwork:

  1. Mechanical pencils come in a variety of lead thicknesses*.  I prefer working with .07, .05, and for ultra fine points, .03 and .02.
    *You’ll need a different mechanical pencil for each size, as the leads need to fit into the proper sized pencil.  I keep mine in different colors to help.
  2. They are EASILY refillable, and the refills come in cute little cases.  Added 6/26: Apparently the cases make great storage for sewing needles…. hmm what else could they be used for?
  3. Refills come in many varieties of softness / hardness.  For most of my knotwork, I use an HB.  I may have to write another whole post just on pencil leads!
  4. You can get extra rugged refills from Pentel (see their hi-polymer leads below).
  5. Closeup of an .02 pencil with a protective metal sheath around the lead.

    Closeup of an .02 Orenz pencil with a protective metal sheath around the lead.

    They are PERFECT for working out knotwork lines and interlacing, allowing me to adjust my pencil lines easily.

  6. Mechanical pencils are great for intricate and small scale shading, as well as cross-hatching, scrumbling lines when doing larger scale work.  I find they give me more control in shading tangles, sketches and knotwork.
  7. They are perfect for folks who make their pencil marks too dark by training you to lighten your pressure on paper.
  8. Some mechanical pencils come with a special protective metal sheath when the lead is extended, so there is less breakage with fine leads – see the Orenz pencils below.
  9. They come in a wide variety of price points.
  10. Some of them come with white plastic erasers, and some of those are refillable too.  Ok, yes, if you’re doing a Zentangle piece then you’ll want to try and ignore the eraser,  remember, no mistakes!  But if you’re drafting any kind of Celtic knotwork, my GOSH are they handy to have…right at the end of your pencil, and unlike those ugly pink erasers,  they actually clean up really nicely!

Ok,  maybe there are more than 10 reasons…  LOL.

10a.  Those little white nubby erasers can be used for adding highlights in Zentangle as well as general sketching!    They can also be used to tangle against a pencil smudged background, rather like the Tombow Mono Zero erasers,  but WITHOUT having to pick up another tool. And they do a fabulous job of helping to tweak knotwork lines and fix interlacing flubs, especially the tiny nubby erasers on the Orenz pencils.

10b.  And of course, no sharpeners needed!

Mechanical PencilsSo, without further ado,  here are the pencils and accessories I use pretty much all the time.   Note that the higher the number, the thicker the lead. 

Pentel Twist Erase XP Mechanical Pencils

Pentel Twist Erase .05
Pentel Twist Erase .07

Hi-Polymer Lead Refills .07
Hi-Polymer Lead Refills .05
Twist Erase Eraser Refills

I like the Pentel Express Twist-Erase for when I’m doing larger knotwork or shading Zentangle pieces.  By large, I mean a not terribly intricate knot where the bands are about 1/4″ to 1/2″ wide.  I really like how LONG the erasers last, although they’re not as narrow as the Orenz pencils so if I do have tight spaces even in my larger pieces, I keep that one nearby as well.
I like how the multi pack I got of these came with refills.   I use both the .05 and .07 pencils.

Pentel Orenz .02 lead
Pentel Orenz .03 lead
Eraser Refills for Orenz

I first encountered this pencil at my local art store, Zephyr Designs in Brattleboro, VT.   Not only did they carry a number of size pencils, but they carry the refills in various thicknesses an soft/hard-ness. That’s where I first learned about the protective metal sheath that extends out and protects the fine lead.  Love love LOVE these!

I’d LOVE to hear about YOUR favorite mechanical pencils, as well as your questions. 


Posted in Art Journal, Art Workshops, Celtic Knotwork, News, Stuff I Love, Zentangle® | 4 Comments - Click to leave Comment Here

An Ode to Good Technology

Do you teach or demonstrate to groups?

I don’t often wax poetic about products, but I’ve had such good experiences with this company’s document cameras (more on what they do in a moment) that I had to share the love.  For the past five years, I’ve been using the camera below in my classes: it plugs into my laptop (and the laptop to a projector) and has been easily projecting most of my art workshop demonstrations to screen this way, making it much easier for all of my students to see what I’m doing closeup.

IPEVO Point 2 View Document / Web Cam

IPEVO Point 2 View Document / Web Cam

IPEVO Point 2 ViewThis is the IPEVO Point 2 View USB Camera, and I have loved how small and lightweight this puppy is, and I’ve projected not just my live Zentangle demos, but other drawing workshops and even tapestry jewelry demonstrations. I’ve put my iPad under the camera, and even my phone, when needed. I use their Presenter software to control what projects to the screen.  I’ve used this camera with both small classes of under 10 to large event demonstrations with over 60 people attending.   Can you say ‘a godsend’? I’ve even used the camera and software to record my teaching videos last summer for an online art course I taught in. Pretty wonderful.

And then suddenly, last week my beloved Mac started acting up,  mid-stream into teaching a 5 week Celtic Knotwork course.  Yikes.   I needed another solution quick, this time a camera direct to projector, and IPEVO to the rescue again.  I’d been eyeing this new camera since I saw it in use a couple of years ago,  and a last minute online order brought it to me in 2 days. The package arrived Wednesday, 2 hours before I had to leave to teach, and by 6:30pm it was plugged into the projector and running, no laptop needed!

IPEVO VZ-1 HD VGA/USB Dual-Mode Document Camera (CDVU-05IP)


The IPEVO VZ-1 HD VGA/USB Dual-Mode Document Camera (CDVU-05IP) was super easy to set up, (I didn’t even read the instructions), and it seems a bit taller than the P2V, which means I don’t need to prop it up to fully show my art work on the table. The fact that I didn’t need the laptop also gave me more room to move on my demo table, another plus. I also liked that I could brighten the projection directly from the camera with the click of a button. The documentation says it can still work plugged into a laptop for those times I want to record video.

This camera is a bit bigger and heavier than the P2V, but still will make life a breeze traveling to demonstrations and workshops.   It needs a power source hookup, plus the plug into a VGA projector.

The company’s website is ultra teacher-friendly, with plenty of videos and info, if you need to check them out further, but I definitely wanted to share with teacher friends or anyone that has any reason to record or project small live demonstrations, be it artwork or homework. And our P2V will still see some use going forward, and certainly for times that I’m doing online demos or need to show my screen (just not on my Mac till I repair the USB port!).

Btw, I am in no way affiliated with this company, just a really really happy customer.  Good technology for teachers!

Sadelle Wiltshire

P.S. Sometime soon I should probably say something nice about my lovely 5 yr old Epson projector, the other workhorse in the equation!

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A Celtic-Inspired Mandala to Color (aka Support Your Local Library)

Ok, I admit it…   blogging is something I just don’t do enough, probably because images come to me way faster than words.    Today’s post features a recent visit to my local library, and as the result of that, a coloring page download to share, with a request*.

I’ve always been inspired and amazed by the intricate interlacings of Celtic designs and art. Maybe it’s the fiber artist in me.  I’ve had the George Bain Classic, Celtic Art, the methods of construction” for over 30 years, from back in the days when I dabbled with calligraphy. While it’s great for inspiration, the book was hard for me to grasp.   A number of years ago, (before Zentangle) I took a short afternoon class on Celtic drawing and came away frustrated but wanting more.  

And so began a long dance with teaching myself, from many varied sources. I’ve come to discover there are many ways to approach drawing these, and if one way doesn’t resonate, it’s worthwhile trying another.   The local Celtic Evening Prayer services at Immanuel Retreat Center in Bellows Falls and my pilgrimage visit overseas have only served to inspire me to delve deeper into this form of contemplative art.  And so I was led me to have a long conversation with Beau, the director (and fellow lover of things Celtic) of Stone Church Arts / Immanuel Retreat, where I’ve been offering Zentangle and Labyrinth workshops, and we decided to offer a Celtic Design workshop and course to the community in February and March of this year.

Last week, while deep in teaching prepwork, I found myself at my local library and saw a beautiful HUGE community colored mandala on one of the tables.  The director saw me looking at it and asked if there was a way to download or find mandala art to color that was of a higher resolution, which inspired me to draw an original piece that they could scan at any resolution.   Up to then, all of the artwork I’d created had either been sketchbook work, a couple of  Celtic style “carpet pages” (ala Book of Kells / Lindisfarne Gospels), some labyrinth art journal pages and small canvases and cards.
And so here is the hand drawn Celtic style mandala I created for the Putney (VT) Public Library to be blown up super BIG as their second communal coloring project –  I’m really looking forward to seeing what it looks like when my community does its work on the mandala (and promise to post an update with the finished piece):

Putney Public Library Celtic Mandala ©2017, Sadelle Wiltshire, www.tanglevermont.comAfter delivering the artwork to the Putney Public Library and sharing a photo on Facebook, a number of folks asked if I could share the piece as a coloring page.   And I’m happy to do so, but with a request.

1. *Our public libraries work hard to keep up with these changing times and technologies and funding.   In exchange for downloading the art I ask you to make a pledge:
Please do something to SUPPORT your local public library, (or mine!), a donation, or volunteer, etc…..
(Please share in the comments below what you intend to do)

2. Also, if you share your colored copy in any way: with friends, in person,  on your web page or any form of social media, PLEASE INCLUDE A LINK and attribution of the artwork to as below:
©2017 Sadelle Wiltshire, www.tanglevermont.com, with the hashtag #supportyourlocalibrary

Lastly, I’d love to see what you do with it!

Download a 150 dpi copy of the mandala to color HERE

By the way, the 5 week Wednesday night Celtic Knotwork Course that started Feb 22, is in full swing, but if you’re interested in just attending one session, feel free to contact me directly.   I follow this course up  with a day of Illuminated Letters  on March 18, with an emphasis on adding knotwork.    Just in time for celebrating  St. Patrick 🙂

Sadelle Wiltshire

Posted in Art Workshops, Community, Mandalas, News | 2 Comments - Click to leave Comment Here